The Long Way Home: A photographic journey with Gordon Lankton
On view through September 27, 2020
On November 6, 1956, armed with a camera, maps, passports, C-Rations, a budget of $5.00 per day ($3 food, $1 sleeping, $1 for gas and everything else) and little else, 25-year-old Gordon Lankton left Frankfurt, Germany on an NSU motorcycle and began an adventure that would come to influence the path he would take for the next 50 years.
Over 40 stunning photographs, taken by Museum founder Gordon Lankton during this life-changing journey, along with artifacts from the trip, will be on display.
Photograph by Gordon Lankton, South India, February 21-22, 1957
Click here for a detailed story map of Gordon’s journey.
Tradition & Opulence: Easter in Imperial Russia
On view through October 25, 2020
From opulent, jeweled creations to humble embroidered examples, perhaps no country is more closely associated with the tradition of exchanging decorated Easter eggs than Russia. This exhibition, of almost 200 objects, includes works by the Fabergé firm and its competitors, ceramic eggs, icons, and vintage easter postcards, from collectors around the country and abroad. Click here to order the companion catalog.
Image: Hodegetria Mother of God in egg-shaped frame, Firm of Feodor Rückert, Moscow, Russia, 1899-1908, Oil on zinc, gilded silver, enamel, from the collection of Duchanka Keane
Pysanka: Symbol of Renewal
On view through April 11, 2021 in the Auditorium
Maine-based contemporary artist Lesia Sochor’s Pysanka: Symbol of Renewal, is an exhibition inspired by the beautiful tradition of intricately decorated Ukrainian Easter egg painting.
Sochor’s paintings are narratives told in paint that are prompted by personal experiences. The Pysanka series evolved from Sochor’s annual spring ritual of creating Ukrainian Easter eggs called Pysanky. Depicting the symbolic meanings and traditional motifs of this talismanic object in oils and watercolors spawned a new path of contemporary expression for this ancient art form. Sochor creates a direct link to her ancestral roots by continuing the tradition of Pysanky making passed down by her Ukrainian immigrant mother.
Decorated with traditional folk designs using a wax-resist method, Pysanky are miniature jewels that Ukrainians have been creating for countless generations. The word pysanka comes from the Ukrainian verb pysaty, meaning “to write” or “to “inscribe,” as the designs are not painted on, but written (inscribed) with beeswax.
Image: Gift of Old Age, Oil on canvas, 1996