British Museum Icon Catalogue

BIBLIOGRAPHY

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S. T. Chondrogiannis, The Antivouniotissa Museum Corfu, Thessaloniki, 2010.

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A. Cody, ‘Dayr al-Suryan’, The Coptic Encyclopedia 3 (1991), 876–81.

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E. Constantinides, The Wall Paintings of the Panagia Olympiotissa at Elasson in Northern Thessaly, 2 vols, Athens, 1992.

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M. Constantoudaki-Kitromilides, ‘St Jerome with the lion in icons of the Cretan School. The theme and its symbolism’, Ὰνθη Χαριτων, Venice, 1998, 193–226.

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M. Constantoudaki-Kitromilides, ‘St Jerome as church father and hermit in icons of the Cretan School’, Proceedings of the I0th International Cretological Congress (Chania, 1–8 October 2006), vol. II.2 (Byzantine and post-Byzantine period), Chania, 2011, 331–78.

Cormack 1989
R. Cormack, ‘The Triumph of Orthodoxy’, National Art-Collections Fund Review 1989, London, 1989, 93–4.

Cormack 1994
R. Cormack in D. Buckton (ed.), Byzantium: Treasures of Byzantine Art and Culture from British Collections (exh. cat., The British Museum), London, 1994, cat. no. 140, 129–30.

Cormack 1997
R. Cormack, ‘Women and Icons, and Women in Icons’, in L. James (ed.), Women, Men and Eunuchs. Gender in Byzantium, London, 1997, 24–51.

Cormack 2000
R. Cormack in M. Vassilaki (ed.), Mother of God: Representations of the Virgin in Byzantine Art, (exh. cat., The Benaki Museum), Athens, 2000, cat. no. 32, 340.

Cormack 2002
R. Cormack, ‘Crusader art and artistic technique: another look at a painting of St George’, in M. Vassilaki (ed.), Byzantine Icons. Art, Technique and Technology, Herakleion, 2002, 163–9.

Cormack 2007
R. Cormack, Icons, London, 2007 (repr. 2014).

Cormack 2010
R. Cormack in M. Vassilaki (ed.), The Hand of Angelos. An Icon Painter in Venetian Crete (exh. cat., The Benaki Museum), Athens, 2010.

Cormack and Mihalarias 1984
R. Cormack and S. Mihalarias, ‘A Crusader Painting of St George:maniera greca’ or ‘lingua franca’’, Burlington Magazine 126 (1984), 132–41.

Cormack and Mihalarias 1986
R. Cormack and S. Mihalarias, ‘Two icons, more or less Byzantine’, Apollo 14 (1986), 6–10.

Cormack and Vassilaki 2010
R. Cormack and M. Vassilaki, Byzantium 330-1453 (exh. cat., The Royal Academy), London, 2008.

Dalton 1901
O. M. Dalton, Catalogue of Early Christian Antiquities and Objects from the Christian East…in the British Museum, London, 1901.

Dalton 1909
O. M. Dalton, ‘A Byzantine Panel in the British Museum’, Burlington Magazine 14 (1909), 230–6.

Dalton 1911
O. M. Dalton, Byzantine Art and Archaeology, Oxford, 1911.

Dalton 1925
O. M. Dalton, East Christian Art. A Survey of the Monuments, Oxford, 1925.

Davies 1951
M. Davies, The Earlier Italian Schools, London, 1951.

Davies 1988
M. Davies, The Early Italian Schools: Before 1400 (revised by D. Gordon), London, 1988.

Dejonghe 1969
M. Dejonghe, Roma Santuario Mariano, Bologna, 1969.

De la Croix 2006
A. M. de la Croix, Icônes arabes. Mystères d’Orient, Méolans-Revel, 2006.

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A.M. de la Croix and F. Zabbal (eds), Icônes arabes. Art chrétien du Levant: Exposition présentée à l’Institut du Monde Arabe du 6 mai au 17 août 2003 (exh. cat.), Méolans-Revel, 2003.

Drăgut 1983
V. Drăgut, Die Wandmalerei in der Moldau, Bucharest, 1983.

Drakopoulou 1997
E. Drakopoulou, Η πόλη της Καστοριάς τη βυζαντινή και μεταβυζαντινή εποχή (12ος – 16ος αι), Athens, 1997.

Drandaki 2001
A. Drandaki, ‘“The Restoration of the Icons”: Tradition and renewal in the work of a 16th-century Cretan painter’, Benaki Museum 1 (2001), 59–78 (in Greek with English summary).

Drandaki 2002
A. Drandaki, Greek Icons. 14th–18th century. The Rena Andreadis Collection, Athens, 2002.

Drandaki 2004
A. Drandaki (ed.), Pilgrimage to Sinai. Treasures from the Holy Monastery of Saint
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Drandaki 2009
A. Drandaki (ed.), The Origins of El Greco: Icon Painting in Venetian Crete (exh. cat., Alexander S. Onassis Public Benefit Foundation (USA), Athens, 2009.

Dufrenne 1970
S. Dufrenne, Les programmes iconographiques des églises byzantines de Mistra, Paris, 1970.

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F. Dumitrescu and T. Voinescu, Pagini de veche artă românească III, Bucharest,
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Br. Dunn-Lardeau (ed.), Jacques de Voragine, La Légende Dorée, édition critique, dans la révision de 1476 par Jean Batallier, d’après la traduction de Jean de Vignay (1333–1348) de la Legenda aurea (c. 1261–1266), Paris, 1997.

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J. K. Elliott, The Apocryphal New Testament. A Collection of Apocryphal Christian Literature in an English Translation, Oxford, 1993.

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W. Felicetti-Liebenfels, Geschichte der byzantinischen Ikonenmalerei, Olten, Lausanne, 1956.

Fernando da Riese 1968
P. Fernando da Riese Pio X, S. Maria Della Consolazione, Rome, 1968.

Folda 1992
J. Folda, ‘The Saint Marina Icon: Maniera Cypria, Lingua Franca, or Crusader Art’, in B. Davezac (ed.), Four Icons in the Menil Collection, Austin and Houston, 1992, 106–33.

Folda 2005
J. Folda, Crusader Art in the Holy Land, from the Third Crusade to the Fall of Acre 1187-1291, Cambridge, 2005.

Folda 2008
J. Folda, Crusader Art. The Art of the Crusaders in the Holy Land, 1099–1291, Aldershot, 2008.

Foundoulaki 1994
V. Foundoulaki, in D. Buckton (ed.), Byzantium: Treasures of Byzantine Art and Culture from British Collections (exh. cat., The British Museum), London, 1994, cat. no. 229, 215.

Foundoulaki 1999
V. Foundoulaki, The Triumph of Orthodoxy Icon in the British Museum (University of London PhD thesis), 1999.

Frigerio-Zeniou and Lazović 2006
S. Frigerio-Zeniou and M. Lazović, Icônes de la collection du Musée d’art et d’histoire Genève, Geneva, 2006.

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S. Frigerio-Zeniou and M. Martiniani-Reber, Icȏnes de la Collection du Musée d’Art et d’Histoire de Genève, Geneva-Milan, 2006.

Friedmann 1980
H. Friedmann, A Bestiary for St Jerome. Animal Symbolism in European Religious Art, Washington D.C., 1980

Galavaris 1990
G. Galavaris, ‘Early Icons (From the 6th to the 11th Century)’, in K. A. Manafis (ed.),
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Gambero 1999
L. Gambero, Mary and the Fathers of the Church: The Blessed Virgin Mary in Patristic Thought, San Francisco, 1999.

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M. Garidis, ‘Οι μελχίτικες αραβοορθόδοξες εικόνες. Προδρομικές εμφανίσεις του
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Gerhard 1957
H. P. Gerhard, Welt der Ikonen, Recklinghausen, 1957, 97, pl. 22.

Greek Icons 1973
Greek Icons, 15th–18th Century, New Grecian Gallery, London, 1973.

Grotowski 2003
P. Grotowski, ‘The Legend of St. George Saving A Youth from Captivity and Its Depiction in Art’, Series Byzantina (Warsaw) 1 (2003), 27–77.

Grotowski 2010
P. Grotowski, Arms and Armour of the Warrior Saints: Tradition and Innovation in Byzantine Iconography, 843–1261, Leiden/Boston, 2010.

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L. Harrison, R. Cormack, C.R. Cartwright and J. Ambers, ‘An Icon of St. George: preparation for a portrait of a saint’, in J. H. Townsend, T. Doherty, G. Heydenreich and J. Ridge (eds), Preparation for Painting: The Artist’s Choice and its Consequences, London, 2008, 14–21.

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K. Kalamartzi-Katsarou, ‘Icons 16th–18th Century’, in S. Papadopoulos and C. Kapioldassi-Soteropoulou (eds), Icons of the Holy Monastery of Pantokrator, Mount Athos, 1998, 211–13.

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A. Karakatsanis, Εικόνες συλλογής Γεωργίου Τσακύρογλου, Athens, 1980.

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M. Kazanaki-Lappa, Guide to the Museum, Hellenic Institute of Venice, Venice, 2005.

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J. N. D. Kelly, Jerome. His Life, Writings and Controversies, London, 1975.

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N. Kondakov, The Russian Icon, Oxford, 1927.

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D. Konstantios, ‘Greece, Hearth of Art and Culture after the Fall of Constantinople’, in G. Kakavas (ed.), Post-Byzantium: The Greek Renaissance. 15th–18th Century Treasures from the Byzantine and Christian Museum, Athens, Athens, 2002, 29–56.

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D.Kotoula, ‘The British Museum Triumph of Orthodoxy icon’, in A. Louth and A. Casiday (eds), Byzantine Orthodoxies, Aldershot, 2006, 121–8.

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D. Kotoula, ‘Icon of the Cretan art at the Fitzwilliam Museum, Cambridge’, Proceedings of the I0th International Cretological Congress, vol. II.2 (Byzantine and post-Byzantine period), Chania, 2011, 379–95.

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E. Kourkoutidou-Nikolaidou and A. Tourta, Wandering in Byzantine Thessaloniki, Thessaloniki, 1997.

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J. Lafontaine-Dosogne, Iconographie de l’enfance de la Vierge dans l’empire byzantine et en l’occident, 2 vols, Brussels, 1964–5.

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S. Lahlil and E. Martin, ‘Characterisation of 18 Melkite Icons Dating from the 17th to the 19th c. AD’, Journal of Cultural Heritage 13 (2012), 332–8.

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V. Lasareff, ‘Byzantine Ikons of the Fifteenth and Sixteenth Centuries’, Burlington Magazine 71 (1937), 249–61, reprinted in V. Lazarev, Studies in Byzantine Painting, London, 1995, 179–95.

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V. Lazarev, История византийской живописи, 2 vols, Moscow, 1947 and 1948.

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V. Lazarev, Storia della pittura bizantina, Turin, 1967.

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M. Lazović and E. Rossier, Les icônes dans les collections Suisses: Genève Musée Rath 14 Juin–29 Septembre 1968 (exh. cat., Musée d’art et d’histoire), Geneva, 1968.

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Br. Dunn-Lardeau (ed.), Jacques de Voragine, La Légende Dorée, édition critique, dans la révision de 1476 par Jean Batallier, d’après la traduction de Jean de Vignay (1333–1348) de la Legenda aurea (c. 1261–1266), Paris, 1997.

Loverance 2007
R. Loverance, Christian Art, London, 2007.

Lymberopoulou 2003a
A. Lymberopoulou, ‘The Madre della Consolazione icon in the British Museum: Post-Byzantine Painting, Painters and Society on Crete’, Jahrbuch der österreichischen Byzantinistik 53 (2003), 239–55.

Lymberopoulou 2003b
A. Lymberopoulou, ‘A winged St John the Baptist icon in the British Museum’, Apollo 158, no. 500 (November, 2003), 19–24.

Lymberopoulou, Harrison and Ambers 2011
A. Lymberopoulou, L. Harrison and J. Ambers, ‘The Noli Me Tangere Icon at the British Museum: Vision, Message and Reality’, in A. Lymberopoulou (ed.), Images of the Byzantine World, Farnham, 2011, 185–214.

Maltezou and Papadaki 2003
C. Maltezou and A. Papadaki (eds), Rethymno veneziano. Atti del Simposio, Rethymno, 1–2 novembre 2002, Venice, 2003.

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K.A. Manafis (ed.), Sinai. Treasures of the Monastery of Saint Catherine, Athens, 1990.

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M.I. Manousakas, ‘Η παρά Trivan απογραφή της Κρήτης (1644) και ο δήθεν κατάλογος των κρητικών οίκων Κέρκυρας’, Kretika Chronika 3 (1949), 35–59.

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S. Mihalarias and R. Cormack, A Major New Discovery. The Icon of Saint Peter by the Master of the Monastery of Chora, (Barbican Centre, London, 25 April–19 June, 1983), and a version also in Zygos 2 (1983), 130ff.

Millet 1916
G. Millet, Recherches sur l’iconographie de l’évangile aux XIVe, XVe et XVIe siècles, Paris, 1916.

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G. N. Moschopoulos (ed.), Cephalonia. Ecclesiastical Art, vol. 2: Pali, Argostoli, 1994.

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D. Mouriki, ‘Revival Themes with Elements of Daily Life in Two Palaeologan Frescoes Depicting the Baptism’, in C. Mango and O. Pritsak (eds), Okeanos. Essays presented to Ihor Ševčenko on his Sixtieth Birthday by his Colleagues and Students, Cambridge (MA), 1983, 458–88.

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D. Mouriki, ‘Thirteenth-Century Icon Painting in Cyprus’, The Griffon n.s., 1–2 (1985–6), 9–112.

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D. Mouriki, ‘The Cult of Cypriot Saints in Medieval Cyprus as attested by Church Decorations and Icon Painting’, in A.A M. Bryer and G. S. Georghallides (eds), ‘The Sweet Land of Cyprus’. Papers Given at the Twenty-Fifth Jubilee Spring Symposium of Byzantine Studies, Birmingham, March 1991, Nicosia, 1993, 237–77.

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The National Gallery Illustrated General Catalogue, London, 1973, 744, no. 594.

Nelson and Collins 2006
R.S. Nelson and K.M. Collins (eds), Holy Image, Hallowed Ground: Icons from Sinai (exh. cat., The J. Paul Getty Museum), Los Angeles, 2006.

New Grecian Gallery 1973
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V. Nunn, ‘The Encheirion as Adjunct to the Icon in the Middle Byzantine Period’, Byzantine and Modern Greek Studies 10 (1986), 73–102.

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H. Omont, Miniatures des plus anciens manuscrits grecs de la Bibliothèque nationale du VIe à XVIe siècle, Paris, 1929.

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S. A. Papadopoulos, ‘Essai d’interprétation du thème iconographique de la paternité
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